Milano Design Agenda

6:AM presents ULTRASELECTION, a special exhibition featuring a series of objects, including ULTRAS, the new collection of wall lamps and Murano glass vases, previewed during Milan Design Week 2025.

An exhibition that describes the metamorphosis of plastic and the contribution of design in redefining its meanings and possibilities. 
Through pioneering objects, materials, and processes, the narrative highlights how scientific research, industry, and design culture are guiding plastic “beyond” its fossil origins, toward more conscious and responsible scenarios.

A photographic account by Santi Caleca on Frank Gehry, Aldo Rossi and Ettore Sottsass: three masters of architecture and design.

Caleca's contribution to Italian photography traverses the history of design, of which he has been, since the 1970s, interpreter and illustrator, bringing the language of reportage - practiced in his early experiences at the Palermo newspaper L'Ora, with Letizia Battaglia - to the world of interiors.

To book the visit: info@antoniajannone.it

The first major retrospective dedicated to the Alchimia movement, a unique artistic and cultural experience that opposed aesthetic standardization, claiming creative freedom as a form of cultural criticism.

An exhibition exploring contemporary design in the age of hyper-awareness and eco-anxiety: extraordinary objects that reflect apocalyptic scenarios but also the search for new forms of balance and hope. Curated by Valentina Ciuffi, exhibition design by Space Caviar. 

The exhibition presents 1,200 photographs that recount, in an intimate and spontaneous way, the private and public lives of Ettore Sottsass and Barbara Radice between 1976 and 2007. A visual diary without boundaries between work and everyday life, inspired by the idea of life as a “staging.” Set up in the Sala Sottsass, it dialogues with the reconstruction of Casa Lana.

60 chairs in 60 years is not just an exhibition: it is testimony to Vico Magistretti's declared passion for chairs. Original drawings and photographic reproductions of over sixty chairs designed by Magistretti during his sixty-year career. And then a dozen or so chairs to use and try out, and just as many notebooks full of stories.

The exhibition-through the story of the displays in the Foundation's rooms-brings out the aspect that many recognize in Achille: playfulness.
From an idea of Giovanna Castiglioni, Achille's youngest daughter, arose the desire to put on display the games of when she was a child. Designer Marco Marzini has created inside the Fondazione Achille Castiglioni a dynamic display with the pleasure of exhibiting unpublished materials, sometimes fragile, unobtainable, sometimes common to other people's childhoods, and will be a real pleasure to find a way, in some cases, for visitors to try out the games.