Milano Design Agenda

The exhibition transforms the Shed at Pirelli HangarBicocca into a feminine, dreamlike house-body: an intimate and political space where craftsmanship and symbolic ornament invite viewers to reclaim subjective time and imagine freedom.
 

Atlante Ginoulhiac. Modus operandi presents, for the first time in a comprehensive form, the work of Bergamo-based architects Francesco Ginoulhiac and Teresa Arslan, offering an in-depth look at more than thirty years of design research. 

A major retrospective dedicated to Lella Vignelli and Massimo Vignelli explores their decisive impact on international design and graphic culture, from Milan to New York, through objects, projects, and a shared language of clarity.

A monographic exhibition dedicated to Andrea Branzi, a central figure in Italian design culture and in design thinking between the late 20th and early 21st centuries. Through the perspective of Japanese architect and Pritzker Prize laureate Toyo Ito, the exhibition presents the most significant themes and projects of the Italian designer, bringing together installations, objects, and drawings in a dialogue that highlights the core ideas of Branzi’s work.

The project transforms the space into a domestic environment inhabited by hybrid works between art and design, opening a reflection on the relationship between the two. 

Achille Castiglioni and Bruno Munari, two friends engaged in a dialogue through playful exchanges and intriguing design insights.

The exhibition explores the dialogue between Vico Magistretti’s minimalist design and Japanese aesthetics through projects, architectural works, and objects inspired by his travels and collaborations in Japan.
It brings together over twenty works and connects them to three key concepts of Japanese culture - wa, iro, and iki - highlighting affinities rooted in balance, the use of natural materials, and elegance.

A special itinerary through the works in the permanent collection, also featuring the most recent acquisitions. The exhibition presents the most significant objects in the collection, designed and produced between the 1930s and the 2000s, placing them in dialogue with the history of the Triennale and opening up new and unprecedented perspectives on the history of Italian design.